Saturday 30 September 2017

Iceland inspiration: 1d12 divine waterfalls

Our honeymoon to Iceland was awesome. Dramatic landscapes; welcoming, fun people; great stories. We even saw the Northern Lights, alone on the rim of a crater. (Fifty meters from the main road and the hotel, before it starts to sound too epic ;) And I brought home tons of roleplaying inspiration! Here's the first catch.

Goðafoss: Waterfall of the Gods

The twelve meter high waterfall Goðafoss is an imposing sight. "You need to cross...this" is food for at least a half hour of players flailing about. But there's more to the 'waterfall of the gods'.

Dig this sweet legend from the information board at the site:

"History tells us that in the year 1000, Þorgeir, Lawspeaker of the Althing [1] was entrusted with the momentous task of deciding whether Icelanders should accept the Christian faith. When his decision was formally accepted, he went home and threw his statues of the pagan gods into the waterfall."

[1] Great no nonsense title. The Althing was the Icelandic parliament. I imagine this huge barbarian rolling up to sort out crap that the politicians won't touch, and flat out refusing to be called something weak like prime minister.

Þorgeir was a follower or priest of the old gods, according to Wikipedia-Which-Is-Truth. He decides that to solve rising religious disputes, come morning there's a new god in town, heads home, and sends Thor and Odin and the rest of his Viking gods into the beyond. Balls of steel, especially for someone named after Thor's own lightning. Did he trust in the christian god to protect him? Or did he know something we don't?

Twelve divine waterfalls

  1. Waters of forgetfulness. Anything you throw in will be forgotten by any living thing as long as it remains at the bottom of the falls.
  2. Swept into history. What goes down the waterfall is forever seen as a quaint relic of former days. Interesting, but not of any relevance to the present.
  3. Washed of sin. The waters cleanse any act in the eyes of the gods - even denouncing them. Popular spot for murders, but beware the angry spirits who come out under the light of the new moon. The gods may forgive, but the dead don't.
  4. Dilution. Objects thrown into the waterfall have their power washed away. Good place to wreck a cursed item. Just don't go in with spells memorized - unless you don't mind losing them forever.
  5. Elemental static. The strong link to the plane of water disrupts divine senses. Gods, angels and demons (because what is the difference?) cannot make out what happens there. Great place to meet for clandestine deals with the Other Side.
  6. Soul sink. The waterfall destroys away the soul of anything falling into it. A way to end a recurring undead (which is nothing but a stubborn soul puppeteering dumb matter) or an angel/demon. Also a great way to make anyone surviving the trip into a soulless sociopath.
  7. Chrysalis. Falling down the falls frees you to make the next evolutionary step and drift off into the void as a creature of pure energy, unconcerned with mortal affairs. Of course your body still gets smashed on the rocks.
  8. Nihilism. All came from the endless dark sea, and to the sea it will return. Being submerged under the waterfall reminds you that everything in between is meaningless. Best to ignore it all and wait for oblivion.
  9. Elemental baptism. Throwing a precious sacrifice into the waters blesses you with a powerful ward against magic.
  10. Life. Anything broken by the water becomes part of its chaotic hivemind, washed to the ocean.
  11. Binding. The waters imprison anything as long as they keep running. Damming the river will stir up seriously pissed-off critters dumped into the falls in ages past.
  12. Fuck all. Waters actually do nothing. Reroll (ignoring this result) to get the prevailing legend. Gods are paying close attention to shenanigans happening here and will visit disproportionate retribution at a time of their choosing.

Bonus waterfall!

Forty-four meter high Dettifoss, of Prometheus fame, is a few hours' drive east of Goðafoss. It is scary and intimidating. You can walk right up to the river and the top of the falls without any fence getting in the way - thunder filling your ears, spray in your face, bits of mutating Engineer getting friendly with your boots. (I exaggerate. Take the eastern gravel road 864 instead of the paved western road 862 to the falls. Not only can you get as close as you want to the water instead of staring down across a canyon, you find that the spray blows right to the observation platform on the other side. You're on your own vis-a-vis mutating goop.)

Dettifoss bears the title of most powerful waterfall in Europe: not the highest or widest, but in terms of water flow and falling height, it does involve the most energy per second. Erosion of the underlying rock makes the fall move up-river at a pace of half a meter every year.

Wouldn't it be great if the waters uncovered a long-hidden underground lair? Now the players have a choice - go in with the water pounding down and beat other explorers, or wait until the waters move back and it's safer.

(I'm pretty sure I've seen this concept either in a book or on a blog, with a huge system of waterfalls slowly uncovering a City of the Ancients. Can't for the life of me remember any details.)

Tuesday 26 September 2017

First session ingredient list

Slight case of DM panic these last few weeks. Traveling through Iceland gave me lots of ideas to use in-game - if only that game were Dark Sun, or Night's Black Agents, or Werewolf, not our ongoing Eberron game. On top of that, I sort-of-promised rpg blog legend Jeff Rients a post on introducing new people to roleplaying.

Not only do I need to prep someone's first session and have it be awesome enough that they want to step into this hobby, I also have to write a coherent piece of text about it. It's turning out to be embarassingly hard, for someone who writes popular science for a living. Let's get this done so I can start posting fucked up ideas I got from the land of ice and fire.

The sitch - someone's first RPG session

In a bit, I'll have the pleasure of introducing a bunch of people to RPGs. How do I set up an intro game so that they come back for more? Lucky me, there were two recent blogposts just about intro games. Paul reported on a game for new players he set up at his local library. RPG blogging legend Jeff Rients just ran nine (!) new people through his megadungeon Vyzor. He was even kind enough to write up extra advice when asked - in only a few hours' time, I might add.


But I'm not jealous.

They're almost roleplayers already

Roleplaying buddy R. plays Warhammer with a bunch of colleagues and he suggested we run them an intro D&D game. The task before me: to introduce a group of Warhammerers to D&D (or my approximation thereof). These folks are almost roleplayers: they know tactical games way better than I do (frankly, not my favourite part of DMing), they know about imagined worlds full of weird and complex backstories. They have experience going through lists of character options and building an effective machine to tackle a challenge; maybe they even have in-character narration going on while they shoot the crap out of each other's minis.

But do they know roleplaying - what's so different and how to highlight it?

Jeff's advice is to stay away from the tabletop battles with minis and keep everything in the mind's eye. Simplify the rules because they should be playing asap, not reading attack of opportunity diagrams or grappling charts. Sold, with thanks!
What else?

Speaking for myself, my game -any game I play- ideally has that weird mix of acting out a part in a shared story, bullshitting your buddy because lol, he botched *again* and now the basilisk petrified his left ass cheek, bitching about the random number god messing up your game, and knowing when to crack open the rule book, go by what the DM can be arsed to remember, or just make an on the spot ruling. This goes way beyond RPGs.

Sidebar: Cargo Noir


Case in point: half a year ago we had a couple of my wife's fellow PhD students over for a game of Cargo Noir. Outbid each other for contraband, grow your shipping fleet, buy status symbols such as night clubs, yachts or politicians, and may she who has the most impressive bling win. Two rounds in, one of the more rules-oriented players has more contraband than he can store. Rules say: discard the rest. Fellow player says: I'll store it - for a price. "Can we do that?" Instead of breaking out the rulebook, we spin a little tale of how player A just got an Offer He Cannot Refuse from player B - and a turn later, they're trading options on future gains and scamming each other like they work on Wall Street. It's not in the rules; in fact, it seems forbidden. But damn if that didn't make the afternoon switch from game theory to gaming with friends.

Distance

Of course, clearer minds (or maybe "more interesting heads") than mine have already written about this.

If I read Zak S right, his essence of roleplaying is the sum of hanging out with friends, playing a game and acting out a role - in a constant back and forth of how serious you take it all. He calls this fourth ingredient distance. I translate that as taking it all with a pinch of salt and going with what makes for a fun couple of hours with friends.


"Fun" doesn't mean the DM softballs everything so that the players can have a win each time. A hard challenge can be very rewarding. It does mean I tend to prep lightly and make up half the session at the table to match the way the game is flowing. It means sometimes I let myself get roped into the latest crazy idea the players have, rather than always force them to live down a "realistic" turn of events. Or to get them to the "right" outcome. Not that I have any kind of track record in predicting what players will do. They tend to go off the rails two lines into my prep, and not notice (or mind) me ad-libbing until the end of the session.


In the end, I want to be surprised and have players be surprised by all the ideas flying around the table. Even if those ideas are of the "the ranger will romance the sheep so she tells us if the farmer is really a necromancer" variety.

What I need to do in that first session

Thanks again to Paul and Jeff, here's my list of resolutions for the intro game:
  • Explain how every player will run one character in an imaginary world. The referee or Dungeon Master sets a scene, players ask info and describe what they try to do, then the DM describes how that works out. Rinse the halfling remains off the cave wall, repeat.
  • Have the starting situation ask for immediate in-character choices. And doesn't need a huge explanation of the setting before the players can make meaningful choices. The gambling den is on fire - get out safe, grab the money or nab the guy who might know about the kidnapping?
  • While the DM sets the stage, the players decide what their goal is - or what their goals are. Perhaps coach them a bit on antagonism to avoid player-vs-player stuff, but definitely let them decide for themselves what they want to achieve. 
  • Players need to hear that they can try do much more than what it says on the character sheet; if they can imagine the character doing it, it has a chance of working. If the rules don't spell out how to resolve a situation, the DM makes a ruling in the spirit of the game.
  • To get started quickly, I will need simplified game rules and character sheets. For buy-in, I'll let players make their own characters. At the table of course, to have that first rush of rolling the best (or worst) stats and so that they can get riff off each other's ideas. Make little bags with the dice they'll need.
  • I want to avoid long-winded shopping for inventory and starting spells, so I'll prep starting packs of gear and spells. Include stuff that needs a bit of creativity to use properly. Look at Into the Odd-equipment for inspiration, or Goblin Punch's on situations and tools. Maybe write the starter packs on index cards so that players can quickly compare what to take. Need to find a way to determine who has first pick of the starting packs. Get them thinking on why they have certain spells or equipment, then get into the actual game.
  • Finally, while the basic rules need to be simple, there need to be enough weird, moving parts to characters and the environment to encourage out of the box thinking. Win condition: having players suggest that the environment contains something they can use. Even if it's the old "is there a stream nearby that we can divert into the Goblin den?" (Of course you should never get your Goblins wet after dinner. One in twenty might turn into a Jenny Green Teeth.)

Is that it? I'll just have to see. Any thoughts and suggestions welcome. More to come when this intro game gets planned, prepped and played!